tag:techtv.mit.edu,:Video/219711920 2008-12-31T14:50:32-05:00 2008-12-31 14:50:32 -0500 Convergence Culture Consortium What are the challenges of bringing the academy and the industry together? How do we negotiate working across these two worlds? 7155 tag:techtv.mit.edu,:Video/219709240 2008-12-31T15:08:22-05:00 2008-12-31 15:08:22 -0500 Convergence Culture Consortium Moving lives online, creating conversations across geography, connecting with consumers - how is social media defining the current entertainment landscape? As people not only put more content online, but conduct more of their daily lives in networked spaces and via social networking sites, how are social media influencing how we think of audiences? What are the implications for privacy, content management, and identity construction of social media? How have they impacted notions of civic engagement? 6641 tag:techtv.mit.edu,:Video/219700420 2008-12-31T15:20:31-05:00 2008-12-31 15:20:31 -0500 Convergence Culture Consortium Henry Jenkins in conversation with Yochai Benkler - Harvard Law School, author, "The Wealth of Networks: How Social Production Transforms Markets and Freedom." 3886 tag:techtv.mit.edu,:Video/219697800 2008-12-31T15:37:05-05:00 2008-12-31 15:37:05 -0500 Convergence Culture Consortium Professor Henry Jenkins, MIT 3060 tag:techtv.mit.edu,:Video/219695400 2008-12-31T15:39:01-05:00 2008-12-31 15:39:01 -0500 Convergence Culture Consortium Jason Schupbach, Creative Economy Industry Director, Massachusetts Office of Business Development 155 tag:techtv.mit.edu,:Video/219691540 2009-01-15T10:06:20-05:00 2009-01-15 10:06:20 -0500 Convergence Culture Consortium The Internet has altered transnational media flows, making it easier to move content across national and geographic boundaries, but complicating the economic structures that support these flows. How do we manage global distribution in the current context? What is the impact of the Internet on the interaction between local audiences and globalised content? What is the role of international audiences as taste-makers, and what can that tell us about making content relevant to multiple local audiences? How do we balance international distribution windows with audiences who move content themselves? 6343