Added 7 months ago | 01:41:29 | 588 views
Simin Farkhondeh is an award winning filmmaker, artist, educator, and activist. From 1995 to 2003 she produced and directed the acclaimed monthly TV show Labor at the Crossroads. Her films have been screened at the Whitney Biennial, Marg...
Added 7 months ago | 01:47:59 | 1161 views
Karim Aïnouz is a Brazilian-Algerian filmmaker and visual artist whose work addresses issues of gender, identity, and personal histories. His films focus on characters who break universal taboos and transcend stereotypes. I Travel Becaus...
Added 8 months ago | 01:58:28 | 782 views
How, amidst continual changes in society and media and the shifting relationship between psychology and film spectatorship, can we deal with notions of site, space, society, and subjectivity within cinema today? What ...
Added 9 months ago | 01:27:09 | 808 views
The Stuart Hall Project (2012) is a film on the cultural theorist and sociologist Stuart Hall. Directed by John Akomfrah and produced by Lina Gopaul, the film debuted at the Sundance Film Festival in January of 2013. Through archival foo...
Added 11 months ago | 00:00:44 | 1382 views
Philip James Cohen, MBA '13, Co-President of the MIT Sloan Veterans Association talks about why he chose MIT Sloan for his MBA and about the culture of Entrepreneurship on campus. For more information about MIT Sloan visit: mitslo...
Added 11 months ago | 01:28:13 | 1059 views
Krista Lynes, Assistant Professor, Communication Studies Department, Concordia University in Montreal, Canada In his critical analysis of postmodern culture, Fredric Jameson asserted that the particular temporality of video, its &l...
Added 11 months ago | 01:32:23 | 1116 views
Ros Gray, Lecturer, Critical Studies, Goldsmiths University of London Within the context of cinematographic traditions and different liberation movements on the African continent, Ros Gray’s research focuses on revolutionary cinem...
Added 1 year ago | 01:46:03 | 1254 views
What would a cinema that serves its subjects, rather than forces of capital, look like? A cinema of refusal, a cinematic non-form that breaks away from the conditions set by capital. A cinema made entirely of the process itself, that can...
Added 1 year ago | 01:46:05 | 946 views
Chip Lord, Professor Emeritus, Film & Digital Media, UC Santa Cruz Chip Lord’s talk presents several recent projects and includes a historical introduction to the radical art and architecture group Ant Farm, 1968–19...
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