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    <title>MIT TechTV - Videos tagged with crisis</title>
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      <guid>tag:techtv.mit.edu,:Array/219463080</guid>
      <title>The US Financial Crisis:  Is there an end in sight?</title>
      <pubDate>2009-04-01 15:32:40 -0400</pubDate>
      <itunes:author>Institute Events</itunes:author>
      <itunes:summary>An MIT panel will discuss the current national economic news with the Institute community.
Panel Members: Ricardo Caballero, Bengt Holmstrom, Andrew Lo, James Poterba, William Wheaton
</itunes:summary>
      <itunes:duration>4576</itunes:duration>
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      <guid>tag:techtv.mit.edu,:Array/219441240</guid>
      <title>John Malpede: Bright Futures</title>
      <pubDate>2009-06-15 18:17:56 -0400</pubDate>
      <itunes:author>Center for Advanced Visual Studies</itunes:author>
      <itunes:summary>Join CAVS for an in-progress, hybrid performance/reading about the
economic crisis. John Malpede promises a &#8220;100% non- threatening
participatory event&#8221; where the audience reads text and the performers
perform others. Readings and Performers will bounce off of one
another arbitrarily; unpredictable trajectories will afford glimpses
of our possible financial futures. Witness and contribute to the
first phase of an ongoing project where Malpede remixes texts about
the financial crisis.

+

Malpede is an eminent performer, director, and activist who often
uses governmental, legal, and media sources as found texts. In 1985
he founded Los Angeles Poverty Department (LAPD), an organization
that engages the homeless population of Los Angeles through
performance. LAPD&#8217;s current touring project, Agents and Assets,
2001-, recreates a House of Representatives hearing on the
importation of drugs into the United States in the 1980s by
Nicaraguan contra rebels with the CIA's complicity. In 2002-05 he
performed as Antonin Artaud in Peter Sellars&#8217; production of Artaud&#8217;s
For an End to the Judgment of God, in Vienna, Rome, London, Brussels,
San Francisco and Los Angeles. In 2004, he directed RFK in EKY, a
site-specific regional recreation of Robert F. Kennedy&#8217;s 1968 inquiry
into poverty in Appalachia. Malpede has received the Bessie Creation
Award from Dance Theater Workshop, New York; San Francisco Art
Institute's Adeline Kent Award; and a Theater LA Ovation Award, as
well as numerous government and foundation grants. He has taught at
UCLA, NYU Tisch School of the Arts, the Amsterdam School for
Advanced Research in Theater and Dance, and the California College
of Arts and Crafts, San Francisco. John Malpede is a fellow at CAVS,
and is developing a public performance for MIT&#8217;s campus in the fall
of 2009.</itunes:summary>
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      <guid>tag:techtv.mit.edu,:Array/219417440</guid>
      <title>Red Lines, Death Vows, Foreclosures, Risk Structures: Roundtable on Mortgage Crisis</title>
      <pubDate>2009-06-22 15:52:10 -0400</pubDate>
      <itunes:author>Center for Advanced Visual Studies</itunes:author>
      <itunes:summary>The American preference for traditional residential design masks a frightening reality: across the globe, individual buildings have been retrofitted to serve as interchangeable nodes in a vast abstract structure, held loosely together by legal and political restraints, made to allow the furious circulation of finance capital.

An installation of models, photographs, videos, and drawings by artist-designer Damon Rich, Red Lines immerses visitors in a landscape of pulsing capital and liquidated buildings, exploring the relation between finance and architecture.

During a year-long residence at MIT&#8217;s Center for Advanced Visual Studies, Rich, founder of the Center for Urban Pedagogy (CUP), surveyed the darkening realm of real estate markets: foreclosures, pro-formas, chains of title, block busting, exploding ARMs, and the obscure history of the mortgage, Old French for death vow.

In the resulting installation, the head of Frederick Babcock, pioneer appraiser, gazes over a scattered field of diminished Detroit houses, still showing damage from 1960s real estate scandals. Looming behind Babcock, the flicker of a neon sign &#8211; BUY LOW SELL HIGH &#8211; reveals the spikes and troughs of a wall cut by the 20th century&#8217;s prime rate, the sharp line between lenders and borrowers. Projected videos haunt the gallery with the apparitions of financial engineers, federal regulators, and anti-foreclosure activists. 

Today, what has become known as the Subprime Meltdown continues to spread, pushing people out of homes, wasting neighborhoods, bankrupting institutions, and threatening global economic crisis. Red Lines aims to broaden and enrich the urgent conversation about how our society finances its living environments.</itunes:summary>
      <itunes:duration>3682</itunes:duration>
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    <item>
      <guid>tag:techtv.mit.edu,:Array/219396820</guid>
      <title>Brent Woodworth: Man vs. Disaster - Adventures and Lessons Learned in Global Crisis Management</title>
      <pubDate>2009-10-01 17:20:26 -0400</pubDate>
      <itunes:author>MIT CTL</itunes:author>
      <itunes:summary>With first-hand experience leading his crisis response team in response to more than 70 crisis events in 49 countries, Brent Woodworth (President and CEO of the Los Angeles Emergency Preparedness Foundation) will talk about the unique adventures, challenges, and lessons learned ranging from the remote regions of Colombia to the tragic events of September 11th and the recent, devastating fires in Southern California.</itunes:summary>
      <itunes:duration>5175</itunes:duration>
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