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      <title>Nano Neuro Knitting</title>
      <pubDate>2008-01-22 15:48:32 -0500</pubDate>
      <itunes:author>MIT Video Productions</itunes:author>
      <itunes:summary>
 Spinal cord injuries, serious stroke and severe traumatic brain injuries affect more than 5 million Americans at a total cost of $65 billion a year in treatment. &lt;p&gt;Rodents blinded by a severed tract in their brains' visual system had their sight partially restored within weeks, thanks to a tiny biodegradable scaffold invented by MIT bioengineers and neuroscientists.&lt;/p&gt;&lt;p&gt; This technique, which involves giving brain cells an internal matrix on which to regrow, just as ivy grows on a trellis, may one day help patients with traumatic brain injuries, spinal cord injuries and stroke. &lt;/p&gt;&lt;p&gt; The study, which will appear in the online early edition of the Proceedings of the National Academy of Sciences (PNAS) the week of March 13-17, is the first that uses nanotechnology to repair and heal the brain and restore function of a damaged brain region. &lt;/p&gt;&lt;p&gt;Text by: Deborah Halber, MIT News Office&lt;/p&gt;
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      <itunes:duration>252</itunes:duration>
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      <title>Robocopter Flies Over MIT Campus</title>
      <pubDate>2007-04-20 11:50:35 -0400</pubDate>
      <itunes:author>MIT Video Productions</itunes:author>
      <itunes:summary>
Watch as this robocopter flies around campus and gives you and eagle-eye view.
</itunes:summary>
      <itunes:duration>96</itunes:duration>
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      <title>Futures of Entertainment 3 - Session 1: Consumption, Value and Worth</title>
      <pubDate>2008-12-31 15:33:11 -0500</pubDate>
      <itunes:author>Convergence Culture Consortium</itunes:author>
      <itunes:summary>Where does value come from in the evolving media landscape? Does it lie in the properties themselves, or in what people do with these properties? Do creative companies create value or does value creation also occur on the consumption side, as audiences discover hidden potential in existing properties, make their own emotional and creative contributions to the mix, and spread the brand to new, previously unsolicited markets?  With the rapid emergence of user-created content, can we consider audiences participants in the creation of the value media properties hold? How do we account for the non-monetary value of media properties? How should gains from media value be distributed through the networks of creatives who collaborate in production?</itunes:summary>
      <itunes:duration>7237</itunes:duration>
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