Added over 1 year ago | 01:32:23 | 2139 views
Ros Gray, Lecturer, Critical Studies, Goldsmiths University of London Within the context of cinematographic traditions and different liberation movements on the African continent, Ros Gray’s research focuses on revolutionary cinem...
Added over 1 year ago | 01:46:03 | 2134 views
What would a cinema that serves its subjects, rather than forces of capital, look like? A cinema of refusal, a cinematic non-form that breaks away from the conditions set by capital. A cinema made entirely of the process itself, that can...
Added over 1 year ago | 00:10:24 | 1821 views
Cape Cod Bay Watch is dedicated to protecting the species, habitat and health of Cape Cod Bay. The most immediate goal is to educate the public about impacts of Entergy’s Pilgrim Nuclear Power Station—especially its "once-thr...
Added over 1 year ago | 01:46:05 | 1685 views
Chip Lord, Professor Emeritus, Film & Digital Media, UC Santa Cruz Chip Lord’s talk presents several recent projects and includes a historical introduction to the radical art and architecture group Ant Farm, 1968–19...
Added over 1 year ago | 01:03:09 | 1233 views
The discussions in this video were followed the screenings of two films of John Akomfrah. Reconsidering Handsworth Songs Handsworth Songs (1986), an essayistic documentary film, explores the history of the contemporary Britis...
Added 2 years ago | 01:22:34 | 3937 views
Sound and Semiocapitalism: Affective Labor and the Metaphysics of the Real This talk will analyse the sonic and affective turns that have appeared relatively recently in both contemporary art practice and current critical thought from t...
Added over 2 years ago | 01:34:23 | 3381 views
Projects and Protocols: Conventions on Art and Technology Muntadas’ work addresses social, political and communications issues such as the relationship between public and private space within social frameworks, and investigates ch...
Added over 2 years ago | 01:44:23 | 3376 views
Playback: Broadcast Experiments 1970 and Now In the 1970s, broadcast television, cable, and even satellite transmissions were considered viable outlets for visual artists to experiment, tamper, and often times, spectacularly fail with, ...
Added over 2 years ago | 01:50:56 | 3415 views
Taru Elfving, curator and director of Contemporary Art Archipelago (CAA), calls into play the curatorial notion of the “dysfunctional” exhibition and its role within the larger concept of sustainability. CAA, a...
Added over 2 years ago | 01:41:50 | 3119 views
Bruce Yonemoto works within the overlapping intersections of art and commerce, and the gallery world and cinema screen. Yonemoto juxtaposes cultural material from different international communities, such as those of the Japanese America...
Added over 2 years ago | 02:04:00 | 3367 views
Keynote: Shun Kanda, Senior Lecturer, MIT (USA) James Wescoat, Aga Khan Professor, MIT (USA) Respondent: Jegan Vincent de Paul, ACT Lecturer, MIT (USA) In the aftermath of the disaster suffered in Japan, MIT launched the MIT Japan 3/11 I...
Added over 2 years ago | 01:55:00 | 4606 views
What Do Artists Know? Contemporary Responses to the Deskilling of Art Michael Corris, Professor/Chair of Studio Art, Southern Methodist University, Dallas Some contemporary art is profoundly engaged with the world in ways that go beyo...
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