Media in Transition 5: Learning Through Remixing (MIT Communications Forum)
Henry Jenkins, Provost's Professor of Communication, Journalism, and Cinematic Arts at the University of Southern California; ; Juan Devis, New Media Producer, KCET/PBS Los Angeles ; Renee Hobbs, Associate Professor of Communication and Education , Temple University ; Alice Robison, Postdoctoral Fellow, Comparative Media Studies Program, MIT; Ricardo Pitts-Wiley, Artistic Director, Mixed Magic Theatre; Erik Blankinship, SM '00, PhD '05, Co-founder, Media Modifications
Description: If you are sufficiently new media literate, you might recognize this panel as a mash-up, combining but not homogenizing five distinctive interpretations of -remixing." Each contributor has a unique project example to share, but in the end there is some convergence: remixing enables participation, and thus encourages creativity, ownership, and collaboration _ the three attributes of contemporary digital culture celebrated in this edition of the annual Media in Transition conference. One approach to learning through remixing is to provide tools that will expose the structure of media products, making it accessible to all. Modest digital editing, for example, allows a Star Trek fan to combine scattered -warp drive" commands into a countdown sequence: -Ahead warp 10! Go to warp 9! ..." With more sophisticated software, you can hop back and forth, in sync, between book and movie versions of Fellowship of the Ring, or even between two different film productions of Romeo and Juliet. Erik Blankinship and the Media Modifications group will soon unveil such tools on the Web at adapt.tv. By remixing PacMan in their own voice, Juan Devis' Latino students created a new video game, El Immingrante, about cleaning up their Los Angeles neighborhood while staying one step ahead of a pursuing vigilante enforcer. Reaching several rungs higher up on the cultural hierarchy, their new source is Huckleberry Finn, which they are adapting to 21st century LA in a game that aims to teach American history and civics. Renee Hobbs, a longtime developer of media literacy curricula, sees remixing as a powerful way to highlight the -constructedness" of media content, and thus to reveal the plasticity of meaning. She has developed a suite of games that a girl can play to create her own song, by choosing a message, musical genre, set of lyrics, voice effects, and even designing a custom avatar to perform it. My Pop Studio, available on the Web since mid-2006, helps girls understand how music evokes an emotional response, while giving them the pleasure and sense of power that comes from manipulating familiar materials. In yet another medium, theater, Ricardo Pitts-Wiley exploits remixing to make literacy more inclusive. He's adopted quite a challenge: to make
About the Speaker(s): Henry Jenkins' forthcoming books include Convergence Culture: Where Old and New Media Collide and Fans, Bloggers and Gamers: Exploring Participatory Culture. His previous books include "What Made Pistachio Nuts": Early Sound Comedy and the Vaudeville Aesthetic; Classical Hollywood Comedy; and Textual Poachers: Television Fans and Participatory Culture. Jenkins has published articles on a diverse range of topics relating to film, television and popular culture. His most recent essays include work on Star Trek, WWF Wrestling, Nintendo Games, and Dr. Seuss.
Jenkins has a Ph.D. in Communication Arts from the University of Wisconsin-Madison and an M.A. in Communication Studies from the University of Iowa.
Host(s): School of Humanities, Arts & Social Sciences, Communications Forum
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